The use of perspective began during the Renaissance. It changed the
way we represented and visualized the world.
Experiments with perspective drawing were completed
when people with interdisciplinary interests (like math and art) were
perhaps more common. In this 1525 woodcut,
from "Unterweisung der Messung", by Albrecht Durer,
the screw eye on the wall is
the desired viewer's eye, the lute on the left is the object,
the taught string is a light ray, and the picture plane is mounted on
a swivel.
Leonardo Da Vinci and Brook Taylor
researched the question of how to find the viewing distance of a painting,
and Taylor's 1715 work was published in
Linear Perspective: Or, a New Method of Representing Justly All
Manner of Objects as They Appear to the Eye in All Situations London:
R. Knaplock.
These mathematicians and artists found the
precise mathematical rules for perspective drawing.
College art history professor Sam Edgerton believes that the discovery of
the rules of perspective ushered in the industrial revolution. The newfound
ability to reveal depth in drawings led to unprecedented sharing of ideas.
What are the properties shared by two perspective views of the same scene?
Desargues explored conics as perspective deformations of a circle and
the intersection of parallel lines at infinity.
Desargues' Theorem is a famous result for projective geometry, which we'll
explore in the lab.
Poncelet explored projective geometry including
properties invariant under projection.
In Felix Klein's Erlangen programm,
the group of transformations is how to study geometric objects - ie not
the set of points making up the space, but the transformations of them.
In this sense there is a hierarchy of geometries via an algebraic structure
called a group, and projective geometry contains all the other geometries
in this sense.
Euclidean
transformations is contained in Similarity transformations (includes
scalings) which includes projective transformations.
As the transformation groups become smaller and less general,
the corresponding spatial structures become more rigid and have
more invariants.
Spherical and hyperbolic transformations can separately be considered
a part of projective transformations